Rax King

"Loshn-Koydesh"

 

I'm told I'm a sorry excuse
for a fuck & I think,
slugger, at least I'm a fuck. Pussy's
melted gold
that has no mold to fit
its excess. Of late
I can avert
my eyes nowhere they won't
just need averting again.
So, how goes it?
How should
it go, this ossification
of live slut. My sky's
plugged in upside
down, I can't heaven. My
eyes for a dying tongue,
I can't die. These
are the grabasseries
that gum up my ears
while my mouth
is at the treyfah
factory, heard
distorted, but heard.
I'd like
the mojo
that leads
a goddess
to fling
a drink
in the face
of a man
but I just
pillow up
my lap,
say come tell mama,
sugar,
come.

 
authorphoto2019.jpg

Rax King is a bitch. She is the author of the collection 'The People's Elbow: Thirty Recitatives on Rape and Wrestling' (Ursus Americanus, 2018). Her work can also be found in Catapult, Electric Literature, and Autostraddle. Look out for her monthly column Store-Bought is Fine for hot takes about the Food Network.

Twitter: @RaxKingIsDead

Joe Hall

"Da Fugue Zone #20: Consumer Cooperative Bookstore"

 

Deskilled & vomiting gold fog
The register a factory, their words stepping
On the pedal of your tongue, e-mail
Deskilled my tongue, how it could hover
With your raw parts
Vomiting gold, vomiting gold
You bag a book, watch it go through the
Bindery, pulp at both ends
On Monday the manager confiscated your
“N,” on Friday your “O”, you try
To say “No,” there’s just a scab
In the air, during the Friday rush you
Think you are being eaten alive
By a pack of small dogs
On Monday, you realize that’s too
Dramatic, you’re just a chew toy
For know-it-all adjuncts of the ruling class
Which might be worse, anyway
You go to say this to your coworker
But you both end up vomiting gold

 

 
hall_chard.png

Joe Hall


is a deprofessionalizing academic and author of four books of poems.

Twitter: @joehalljoehall

Brittany Weeks

Everyone At Whole Foods Is Good At Sex

 

Everyone who shops here is good at sex
even if they don’t LOOK it
they will surprise you
they will
crush black orchids on your skin on your skull
and climb you like a mountain
whisper words that melt in your ears like
almond butter
look around
everyone here is good at sex
isn’t that gr8?

IMG_20191208_113217_773.jpg

Brittany weeks

writes poetry and short stories in NYC. Her other writing has been published by X-R-A-Y Literary Magazine, LuNaMoPoLiS, and Breadcrumbs Magazine.


Twitter: @britweeksy
Instagram: @britweeksy

 

Scherezade Siobhan

[there should be another way to go where i haven’t been before]

 


Route I

 

This word can’t fishnet my falling.
This word.  Rroma.

It has never been asked to hold me.
I have been cradled safe, away from it.

The laddered anxiety of genes, a pulse-choking flight—
the kind of litany that tucks sandstorms inside an hourglass.

Some parts of me know, of course. I can’t blueprint the thoroughness of this migratory coiling.

My auroch-horned eyebrows. My balanceo y vaivén.

My spine, a cocky minaret of bone too numb to the burning wax of synonyms—

Anagrams

Babystealer.
(Atlas Ebbs. Yes.)

Swindler.
(Rinds Drew Ends)

Thief.
(I fit the If)


Route II

 

Samudaripen: Ph*rrajimos: “Cutting Up”

You can say that this day is not ours. That others died too. Others who are not us. That not enough of us died. Or that we didn’t die enough. All dying isn’t equal in Your world where life begins at deception. To exist is to confront.

Amen.

The beak dropping into my lap, still warm from the blade.
The bird cooling its rigor mortis in the virgin porcelain.

In Nocturne, Rosario Castellanos writes - Para vivir es demasiado el tiempo (time is too long for life/life is too short for Time) & I have in my hand some kind of drunk, timeless lightning, a lullaby cut from obsidian, the skywide language of echolocation.

 Amen.

 

Route III

 

You can snatch a child for the crime of being born with the hair of dirt-kissed goldenrods or lips of crushed pink cassia.

(To a father who has eyes of wild almonds & a loud contradiction for limbs; dirty cordovan hardened by razor-carved blisters, softened by incense oil—)

 & say – this child is not g*psy enough.
say: your blood isn’t proof
Enough.

This child is not yours.
Enough.

You don’t understand that love is as small or as large as the shadow of its faith: a mustard seed, every mountain & its miracle, the paranoia sleeping in the palm of the same rust-veined hands. On most nights, it just means that I pray my mother’s sleep isn’t scorched by the bitter heat of her arthritis. The way in which a body learns to worship everything that is at war behind its closed doors. The way a father will surrender the leashed animal of his own heart to close the gap between that what beats and what can be beaten, unwilling to let his daughter shoulder a mourning the size of two songful seas.

You can say if I want a home, I should consider building another bridge from my name to my throat. 

 I can say:  padre, gitano, romani

 & watch the waves at my feet suture a calligraphy of a newly articulated light.

The crushed blue glass of windchimes we buried along the breath of our brief homes.

Then watched the whole sky flying down to fit into the song of this shattering.

 


01_copy_2.jpeg.jpg

Scherezade Siobhan

is an Indo-Roma psychologist, writer, community catalyst and a late-blooming scarab.


Twitter: @zaharaesque


Note: Rroma Genocide: *the word “gypsy” is a slur for Rroma/Romany/Romani folx

 

Leo Levinsky

Two poems

t + 3

All winter:
oranges. Sliced
lemons.

Far-fetched fruits,
messengered
royally.

Day by day,
tossed the peels.
I lost count.

Post-Mortem for a Thoughts and Prayers

It was his mother because she let him cry they said it was that women didn't like weak jaws because she left because she stayed because she didn't make him feel like a man it was because his feelings were hurt because his feelings didn't feel anything they said she wouldn't give him you know what it was because man-to-man marriage it was women wed to women wearing pants because men were supposed to wear the pants it was the bathrooms were under attack because no one spoke about jesus these days he was just a loner on the internet because it was his constitutional right he wouldn't stop defending himself because we needed more surveillance it was the government should keep out of our homes it was nothing against them they should just go back to where they came because he's not racist he hates everyone equally he's not racist he's one of the family he only wants things back the way they used to be back when it was economic anxiety because we missed all the warnings it was a mental health problem it was triggers don't kill people every day people die accidentally because I’m safe when they deserved it he was always nice to me it’s not political it was the earth can’t feed all of us they’re trying to replace us we have to produce more babies the apocalpyse is coming it was part of god’s plan because we all have our places because they should have known to stick lower to the ground.

because she

women didn't

because she

because she

because she

his feelings

his feelings

she wouldn't give him

it was women

men were supposed to

under attack

he was just

it was his

he wouldn't stop himself

we needed

our home

they should just

they came

everyone equally

he's one of the

they used to

anxiety because

problem people

because I’m safe

they deserved it

to me it’s not

all of us

we have to produce more

they should have known to

Embed Block
Add an embed URL or code. Learn more
leo.jpg

Leo Levinsky

lives in New York City. His work has appeared in the American Journal of Poetry and Panoplyzine. Leo Levinsky is a pen name.

Twitter: @levinksy