Brendon Estridge

“White Noise Woods”

 

I’m in my bed. My eyes are closed, and I try to keep them that way. The assaulting blue light in my room threatens this comfort I’ve desperately fought for. Who thought it was a good idea to make the screen of an alarm clock shine bright blue? Who in their right mind gave the buttons of a bedside fan luminous bright lights? Who needs to be reminded in the dead of night that they picked the ‘high’ setting?
     I reach to my bedside table and flip the clock on its face. One threat gone. Then there is the fan, both an ally and a nemesis. Most nights I can stop the light by throwing a rumpled shirt in front of those buttons. This machine has one saving grace. With one source of sensory overload stomped brings light to another. Its thrumming sound keeps the other noise at bay, that terrible sound. Its blades chop up the thick night air, a consistent thrumming. I need that noise. It’s so much better than the alternative.
     One day as a kid, I began to hear a noise, like a ‘beep’. The problem is that I still hear it. I forgot the day I first heard the ‘B’, but I still hear the ‘EE’. I’ve yet to hear the ‘P’.
     Sound drowns my tinnitus. For as long as I can remember, I’ve had a noise machine, ever since I was a very young child. I don’t know if my parents knew of it, but they’ve made sure I’ve always had one. When I grew older, of course I tried throwing it out. Like all the toys and heroes I had, everything I loved needed to go. Of course, that little machine was what made me reconsider my puberty driven toxic masculinity. It made me think that the one thing that could make me sleep was childish. I learned very quickly that I couldn’t last without it.
     Fans soon became my next resort. Their whirring and rumbling reverberate, rotary blades breaking apart the noise in my head. Since then, they’ve been what keeps me down out night, even if my current one is treacherous with shimmering blue buttons.
     Its treacherous in more ways than one. Fans don’t only exhale gusts of cold breath, but they suck air in. Over the course of many many nights, they suck in dust, lint, hair, powder, and anything they can get their blades on. Dust that clings to the blades, dust that seeps into the moving parts. A soft consistent whirr becomes a chunky beat. Every few seconds, a loud ‘CHACK’ spits from the mouth of the machine at irregular intervals.
     The fan deteriorates further. It’s no longer a pattern. As I try to sleep, the continuous rumbling, the rick-tick-tattering, the sound of loose metal scraping against plastic chips away at my skull. Its unbearable to listen to a machine kill itself from the inside
     ‘Rick-tick-tack-rick-tick-tack-kururururururururur-rick-tick tack!’ spitters the machine.
     I press the shimmering blue button and my room is once again dark and free from the assaulting noise. Then I hear what it was keeping at bay. With the press of a button, my room was filled with literal deafening silence. Empty space replaced itself with a dense fog of high pitch noise, bouncing off the walls, through the boards of my bed, through the bone of my skull. My ears shriek.
     I’m now out of bed, digging through the closet in my hallway. Columns of neatly folded blankets and beach towels tumble to the floor, casualties of my assault on their domain.
     ‘Where is it?’ I ask myself frantically, until I hear the clack of my finger nail hitting hard plastic. There it is, my sweet sweet childhood friend. I whisper sweet prayers, please to my old companion, apologies for ever betraying them. The machine as a half a hemisphere of white plastic wielding a gray circle within, no doubt the speaker. It had a basic knob to turn it on, as well as a few buttons to select the specific sound.
     The broken fan is dethroned from its pedestal. All hail the new king. My childhood fan is plugged into where they rightfully belong, at my bedside. I turn the knob.
     Ba-bump, ba-bump, ba-bump, ba bump.
     The digital sound creeps out of its container. Even through the tinny distortion, the sound of a beating heart is instantly recognizable. I understand it is meant for young children who were used to falling asleep to their mother’s heartbeat, but it always creeped me out and it still does.
     I cycle through the noises. The waves of an ocean beat at the sand, the occasional gull calling crying out in the background. Howling wind streaming through a clearing, the whispers of grass and leaves as they sway in the gusts. A waterfall dripping down smooth stone. I’m very close to it now, I can feel it.
     Forest rain. A steady flow of droplets pass through a forest. Its tinny, like all the other noises, but as my ears focus, the digitization fades. My mind fills in the details. I’m in bed now and the forest is much clearer, so much more focused.
     It’s a nostalgic noise, a noise that has accompanied many dreams. The noise I woke screaming to when the monsters finally got me. Sometimes I heard their cackles and felt their fingers moments into the waking world. Best not to think about those now, not where I am now. It’s a nostalgic noise.
     The moisture seeps through the forest. Everything is dripping, bolts of cold rain splashing and splattering in puddles, against leaves, everything rustling, pattering. Cold air, chilly air, damp air. This forest has been with me for so long. So so long. My forest. I’ve never truly explored my forest. It’s something that has built over these many long years.
     Rain is pattering, a rapid succession of tunks and dunts, blunt splashes that mend and weld together into one consistent noise. Damp air, organic, thick with moisture.
     TOOM!
     Something is rumbling. I shift my body, trying to find comfort again. My legs kick and my blanket breaks into thin sheets.
     TOOM!
     My room is rumbling. I try to open my eyes and I can’t, like ripping yourself from a nightmare that won’t end. I’m kicking and the remains of my blankets scatter like a whirlwind, my skin cold in the damp wet air, my legs scraping against crooked floorboards.
    TOOM!
    My room is shaking. I would be able to process this better if my head hadn’t slammed against the cold iron, waves of pain reverberating through my skull. At first I think the gong noise is my brain rattling in my head and not the cauldron.
    TOOM!
    The room shakes and both me and the cauldron roll across the floorboard, the mental bowl clattering across the surface. Air hisses through my teeth, my head throbbing too much to let me think the appropriate profanity.
     “Nye roogaisya, pozhaluysta. Tvo-i klyatviy sil'nyeye, chem tiy dumayesh!”
     My eyes are open. I’m not in my room. My room was dark with a faint blue glow. I don’t live in a cabin, and I don’t sleep on floorboards in a pile of leaves. My room isn’t illuminated by dozens of red, black, and white candles, suspended by string up on the ceiling.
     Then my eyes lock onto the source of the noise, or should I say the source’s eyes, its porcelain blinkers the size of literal dinner-plates. Out its gargantuan flopping jowls produced a shockingly human voice. 
     “Не ругайся, пожалуйста. Твои клятвы сильнее, чем ты думаешь!” she repeated, the entire cabin rattling under her heavy voice.
     There I am, my brain burning with pain as I try to comprehend what is in front of me. Its very hard to figure out what part of her body is her body and what part is her head. Her head is a third of the size of the entire room, hulking over whatever body she has. Her face is a gnarled wood carving, a bas relief in the thickest walnut tree the artist could find. A thick brow hangs over her silver eyes, the willow vines of her hair flicking with each exaggerated expression. Despite her appearance, her words sound like something I would expect out of a human, surprisingly, and despite this, they echo deep in her throat, almost like a cavern-system through her body. It reverberates and leaves a tinny noise weaving through her words.
     “Don’t speak the language of your mother’s mother, do you? For shame, but understandable.” Even when scolding me, her words sound like chirps.
     TOOM!
     The ground below shakes again, but I’m used to this unstable footing. Her candles sway, but their wax never drips. In this dreamscape room, I didn’t know if I was allowed to defend myself for never being taught my grandmother’s language. My grandma was a rugged Siberian woman who never spoke. She moved to live with my grandpa, an American. They met sometime in the second World War, a romance that sparked with neither of them truly understanding their language, from what I was always lead to understand. When my grandma moved back with him to Virginia, it was no surprise that she became reclusive and isolated, having next to no experience with the language or culture. My mom never really got to know her own mother. Not even she knows any Russian. My grandpa doomed my grandma to be a reclusive hermit.
     “Take your time,” chirped the annoyed hag.
     “I’ve waited this long, a few more moments won’t hurt me.” Her voice was very accented; it was a wonder she spoke with such clarity with that and the echoes deep within her throat.
     I finally dared to speak to her.
     “Wait for what?” I asked. I feared something little would set off the gnarled witch. In this dreamscape, I had no doubt she would and could do anything.
     “Wait for you to come back!” she exclaimed.
     “Oh, it been so long. When you abandoned forest so long ago, it was troubling. I thought the promise I made to your grandmother would never fulfill!”
     TOOM!
     I find the courage to stand now. The floor is unstable and shaky. I don’t know how such a big figure can fit in such a little cabin. My head nearly hits the ceiling and perfectly in range of all the little candles and drying herbs. Behind me is a fireplace, a cackling fire that spat ash whenever the house rumbled. The Slavic witch never moves from her spot in the middle of the cabin. Even as it rumbles and shakes, she never moves.
     “What promise?” I ask the Baba Yaga. I have no doubt in my mind who she really is. I don’t have first hand experience with Russian folktales or even my own grandmother, but I already see where this is going, where this has been going. The Baba Yaga looks pleased, finally getting to the point where she had been waiting so long to get to.
     TOOM!
     The Baba Yaga grinned, black iron teeth shimmering. Deep within her throat, leaking out between the crevices of her teeth is that tinny distortion. My tinnitus goes haywire,  a high pitch beep ringing through my skull, blocking out all the little rattles and shakes from the cabin. Even with the assaulting noise, her booming chirpy voice still broke through.
     “I’m sad your grandmother never used her gift to teach you tongue of your ancestors. You see, her ears had problems, great great problems. Americans were reckless during time of great strife. Trigger happy, is that your word? Your grandmother, oh poor Katerina, poor ears ruined after bombardment, explosion. Never to hear the sound of sweet mother’s voice, never to hear chirping of bird. No. Stolen, taken from her. Of course one of the men responsible came to her and of course your silly grandmother was foolish enough to fall for him. She had friends, family, community, but she abandoned that. She regretted her decision, you know. Brought to a foreign land. Realized she that she could not only not understand the culture, but not even live on her own, doomed to rely on your grandfather. Solitude from everyone else was only option. And all that time, her head was splitting with only noise she could hear. Splitting with harsh piercing noise.”
     The witch looks so somber. Her gargantuan betrays the subtlest of expressions. She is disappointed. I never knew my grandmother was deaf. The Baba Yaga continued.
     “I came to her in times of solitude. Tried to speak past the screeching sound. I gave her a little promise, promise to take away awful noise, give her hearing back. Put the noise somewhere else. Poor poor Katerina already suffered enough. I promise to give away noise subtly, to disperse it somewhere else.”
     My tinnitus is deafening, painful, scraping at my skull and gashing at my brain. Even still, her voice weaves past the noise.
     “I would not be like that cruel bomb and take it away at once, my young boy. It would be gradual, you would learn to live with it before it-“
     I know where she is going with this before she can finish. I’m sprinting across the planked floor now. The Baba Yaga is taken in surprise; her porcelain-dish eyes somehow grow wider the second before she is out of my view.
     “CHILD!” she screams, assaulting my ears even further as the sound bounces off the walls, knocking over terracotta bowls and plates. I don’t stop. My grandmother, a woman I never truly knew, gave the witch a promise. I understand now what that trade was.
     The front exit is wide. I easily slip past and clatter onto patio. The floor around me, no, the entire house, wobbles and shakes. Outside is foggy overcast sky obscured by a canopy of evergreen. I look down at the muddy soil and realize the house is at least fifteen feet off the ground. The noise in my head subsides a bit but rushes back as soon as I hear her voice again.
     “Please do not run! Child! Potomok! Потомок!”
     Gnarled hands reach from within, swiping and grappling, but unable to reach. The house bends over backward, leaning in such a way to send me sliding back within the cabin. She is too late, I am already at the railing, I pull myself over it and now I’m dangling, a burning pain searing through my arms as I try to hold me weight. The house wiggles and shakes in frantic fearful dance. My arms can’t handle much more. I’m free-falling.
     One moment, there is nothing. There is no ground below my feet, there is no noise, no sight as everything blurs together. Then there is everything. There is the sensation of all the wind in my lungs being knocked out as my stomach slaps across the muddy surface. Gasping, rasping breaths. I see the cabin and all its glory. The cabin is small and quaint of course, much more ominous when its balancing off thick stalky brownish-orange chicken feet Both easily able to stand twenty feet in the air at full height. The cabin shakes in twisting dance and its massive feet strike the earth.
     TOOM TOOM TOOM!
      Air finally weaves its way into my lungs and I gasp.
     “CHILD!” echoes a voice within the cabin. I take that as my queue to run. There is a path she is moving through but I know taking it is suicide. The forest around is so much denser, but much harder to fit a hut between the twisting trees. Each breath feels like fire. Mud is molded all over my body. I must continue.
     ‘TOOOOMPH!’ goes the house as it collapses in on its legs. I’m hiding behind shrubbery and try to control my raspy breaths. The house would appear so much more natural if it wasn’t lying crooked along the path. Something is squeezing out the door now, angry Slavic curses seeping out. It’s time to run again.
     Down through the evergreen forest I run, past logs, deep through mud and mist. Everything in me is on fire. There is no wildlife, no birds, no deer, no squirrels. This forest, teeming with plant-life and water, is uninhabited by any animal. Perhaps they know.
     I’m wondering when I will wake up from this nightmare. In most dreams, I will get the instinctual urge to climb the tallest structure I can find and dive head first, ending as my head contacts the hard surface below. I don’t trust my odds.
     I don’t think I made it far when I just collapsed by the bush choked with honey-suckle. Everything hurts. I think I hear it in the distance, getting much closer.
     Toom Toom Toom Toom TOOM!
     Mud squelches between its chicken feet. It has discarded its shell. I through the shrubbery, I can barely see its feet, but as I peer upwards, I see the body attached to those talons and the massive head that sits atop it. She’s muttering something and first, but then hollers out, piercing my skull with the wicked scream of tinnitus. I never answered her threats, her pleas, her begging. She skulks and squawks like the being her bottom half supposedly came from, kicking up dirt and muck, mists of decomposing bog spraying all around. She doesn’t see me but she splatters me filth, some of it spraying my lips, specks assaulting my eyes. I neither recoil or spit, too tired and too afraid to. Even as her skulking form tramples the treeline as she exits this clearing, moving deeper into the woods, the tinny distortion and the high pitch screeching assaults me.
     I’m barely conscious as I realize I’m moving. When did I get out? I’m now on shaky footing, trudging through mud and muck. You know you’re really god damn exhausted when prickers and thorns slash at your legs and you don’t give a care in the world. I feel everything and nothing simultaneously. All my muscles want me dead, my chest feels like caving in, and I just want to curl up in a ball and just lie there forever, but I nevertheless, I move on.
     By the time my ears can hear the forest noises, the wind wafting through trees and the chippering of birds that previously weren’t there, many things are flowing through my head. I think about the nightmarish woman who only should exist in the dreams of my Eastern-European relatives. I think of an elderly woman on a gnarled rocking chair, swaying back, and forth, back, and forth, deafened by the noise in her head. She passed away at least nine years ago. I wonder that if she, my grandma Katerina, could even hear in her final years, would she have anything, anyone to listen to?
     I’m not fazed when I walk through the treeline into my backyard. In my sluggish trudge I questioned if this was really a nightmare or not. Even then I realized I was in too much pain to be dreaming. This is not a dream. This is not a dream.
     I think it’s noon. It’s too overcast to tell. I stumble up my deck and through my unlocked sliding back door. Muddy footprints track behind a glossy floor, but I don’t care. Up the stairs I go, each step physically taxing. I want to sleep. I need to sleep. I hear a faint sound in my room as I approach the door. It opens to the noise of soft forest rain.

 
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Brendon Estridge

I wrote this story about my horrible tinnitus. On quiet nights, I suffer the most. Onomatopoeia is very prevalent here for that reason.

Twitter: @JoestarJohny

Mathilda Cullen

Three Poems

 

The Sound of a Mind Taping Over Itself;
Coming to Terms with the World I Will Never Birth

for Như Xuân Nguyễn

I remember the first time I forgot. Elsewhere
was a constant, then. Estradiol is another word
for this is your body and a needle is how the
sun is spelled sown as it’s ripped into sky, how
            I was digging for something in my skin and
found remorse — memory awake to this all too
            sudden somewhere. From these windows I
attempt a theory of trees, how they mushroom
            like these breasts I forget to remember, how
the officer saw heels, dress, tears, and decided:
            ma’am; how do you look at me and say that
when you know. Tell me, again, what you know.

Gespenster

It was an hour chewed by the clock, days
wedged between the brain’s teeth. It was
            this mind fastening to another in an attempt
            to overwrite its history. It was
                        a world I’d never
            birth, please don’t
                        mention it. It
                        was how the midnight
            put itself inside you and said work. It
was a town called Hauppauge
            and the land was all flat and
swallowed. It was
            this fact I threw at every other
                        moment of my life. It
            was a sapling pushing up through
                        concrete the waking up
            at the bottom of a fall. It was
how the ground inverts as you pass
            through it. It was
sitting so long in the dark our
            landscapes rendered bare, our
            landscapes not our landscapes. It was
                        the sky, someone’s property. It was
            another collage against wasteland, another
nail in his fucking cantos. It was a mind and the mind
is not capital. Remember, we will
            haunt you into memory of this.

We Who Want the Weight of Rain Around Us

            after Brendan Joyce

The gnaw of wind against bodies and their exhaust
of atmosphere and lung. Concave, like the barracks
at the end of the mind             where even the clouds
have reached maximum capacity and the rain too
is falling.                     And the country is wracked
with the knowledge of rain:

            of bodies drenched in capital, of the dream
of sleeping in, of this sky and its slow return to morning.
            Even the trees immolate in solidarity of this
burning earth; i
            heard only whispers i
                        the trees, i mean, i
            can never guarantee safe passage
                        in sleep.

            Even the rain and its cold fingers against
us; the saxophone tossing its sounds around
            the voice againt but louder
                        the lines and their jagged
            enjambment / performed
                        a perfect arson.

            Even the wind, unbeknownst to itself, is a class traitor
shivering insurrectionists. Even the sun
            and our sweat. Even the
                        stars and — Say it — even the moon,
            with only a segment of squall
                        struck by streetlight —

            Even the moon — excerpt search term anywhere
which is my own interior / this purple, this barking 
            circular empty. To the lavish dapper catalogued air
                        strikes peppered across its asphalt heart.
            The city said what to the unhomed and cold — Even
                        the moon, in its lurid umbraic oculum — hates cops
                                                                        and urges onward

 
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Mathilda Cullen

Mathilda Cullen is a trans woman, poet, and translator. Her works include “Trace Happenings” (marlskarx, 2019) and translation of Ernst Toller’s “Poems of the Imprisoned.” She runs marlskarx, an
anti-press dedicated to publishing queer poets of the left, and Prolesound, a podcast and archive of contemporary leftist poetry.

Twitter: @mathildork

Jean Hogan

Three Poems

 

First Communion #2

This time with gas station Takis
& glove compartment vodka
Transubstantiation occured hours ago
When you ate a taki with a care
I’ve only seen you show to the living
I bet if you opened my side right now
Pierced it from either side
Something clear would pour out
I was never one to stick my tongue out
& wait
But this week has been full of exceptions
The vodka advertises itself as triple-distilled
but the passage it makes from your lips to mine
Must count for something

I am at a Food Lion six miles into North Carolina

& my friend picks out a six-pack of Lime Corona
& mentions how redundant the idea is
& I laugh along for a moment but,
& maybe it’s just cause I’m off my meds,
but it’s kinda relatable tbh  
who among us wouldn’t chose to be poured into a vessel pre-mixed?
without the need to have something stuck down our throats
“for flavor”

Hoping for a kind of thirst
I salt my rims every morning
& sometimes that’s not even enough
& I never had the knack for limes anyways
And even though I get shit for it, I buy the beers
and, I promise, they taste tacky in the way i want my lips to

Like any ex-twink I can stare at a fireplace real wistfully

And I don’t even have anyone to pine over
Who pines anymore nowadays
The needles stay green but they still fall
Eventually Unceremoniously
Instead I oak
My dead leaves still stay on me all through winter
Despite their best attempts to coat me I skirt them
Turning them into something that rustles
When I spin
All you would be prophets
Pressing your heads to my thighs and thinking
The rustling is gonna tell you the future
Don’t listen to me when I tell you it won’t
Stay awhile And pine

 
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Jean Hogan

Jean Hogan is a poet & a Taurus & Trans & tired. She is currently living & student-ing in Annapolis.

Twitter: @dreamofjean

Sam Treviño

Two Poems

 

An Ongoing List of Things Found in the Library Book Drop, Usually Being Used as Bookmarks:

An orange peel.
A rusty nail.
Hopes and dreams (long discarded).
Multiple credit cards.
Fourteen googly-eyes, pristine condition.
An unstamped passport.
Love letters (multiple), some surrounded by an aura of violence.
Miscellaneous cash of various denominations.
A baby ultrasound.
A birthday card from gram-gram.
A Polaroid of someone else’s wedding.
A phone number accented by a lipstick mark.
An unused tea bag
.A used teabag.
A crumpled poem scrawled across a cocktail napkin.
An anarcho-socialist manifesto in exquisite handwriting.
Every poem is a manifesto.
Every manifesto is a love letter
tucked inside a book,
one in particular reading:

of all the infinite universes
only a handful have you in them.
Those are my favorite. Burn the rest.

Every moonlight tower I meet is a new friend

and every friend is a moontower
shining brightly upon the summer night.
In poetry they say you can’t be too precious
but everything is precious to someone.
The moon was so precious that they had to build
the moontowers, decoys of the real thing.
Faulkner said to Kill Your Darlings.
It’s difficult to learn how to kill precious things.
Look at the sky on the first clear cold night,
that’s a one hundred year moon there,
close enough that it looks like you could pick it
Right out of the void and take a bite.
Enormous to the border of absurdity.
A fixed obsession
free for anyone bothering to look up.
God damn that’s a great moon but
when is it going to hatch,
spilling buttermilk across all of heaven?

 
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Sam Treviño

Sam Treviño is a writer, poet, and literary organizer. He currently serves as Community Outreach Director for Chicon Street Poets and oversees the Aural Literature reading series for Austin Public Library, where he spends his days working as a punk ass book jockey. He wants to have a conversation with you.

Twitter: @whiskeydynamite

Lix Z

“leather etc.”

 

i love waking up fiercely in desire 4 u

+ chaining u so can’t move

+ can deeply perceive my lust

tightening + loosening in grip

i hope u can feel my fist

wrapped in diamonds in cum

in the nerves in the nape

of yr neck

excess of teeth

silver thighs rattling viciously

muscles lifted out and

stretched over the surface

of lube and cum sifting

through knuckles coffee

i need coffee more than

anything quit yr job its

a luxxxe wormhole

congrats celeb

 
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Lix Z

Lix is a multidisciplinary artist and fetishwear designer based in Brooklyn. Their art is enmeshed in opulent queer desire and participation in collective resistance. They also enjoy writing smutty sci fi, poetry in their diary, and performance texts. They perform as a contortionist and nonbinary drag pop star.